What To Expect When Starting a New Job

Introvert Whisperer / What To Expect When Starting a New Job Big vs. Small Companies: What to Expect When Starting a New Job Sarah Landrum July 18, 2016 Career Development, Promotion 4 responses New Job? What To Expect When Starting at a Big or Small Company When choosing to work for a new company, size matters. Aside from having a big name â€" or a not-so-big name â€" to put on your resume, whether you work for a large or small organization can make a difference in how you experience your new job and what you get out of it. If youre undecided about working for an established Fortune 500 company or a relatively unknown with a huge growth potential, heres what you need to know. Pros of Working  for a Large Company Before anything else, lets clear up a few things first. For a company to be considered large, it must have at least 500 employees. As of 2010, the U.S. Census Bureau counted 16,055 large companies in 938 micropolitan and metropolitan areas around the country. That translates to around 17 per area, which isnt much when you look at it from that angle. However, what these organizations lack in quantity, they more than make up for in other aspects: Large companies tend to have solid systems in place, which hold the entire organizational machine together. If you need to take action on anything, chances are theres already a clear-cut procedure outlined somewhere in the company handbook. Large companies offer better compensation and benefits. Since the organization is profitable enough to expand in the first place, theyre probably also profitable enough to retain top talent. Large companies usually wont fall apart because of one major mistake by upper management. In most cases, those mistakes can be resolved without significant impact on overall operations. Large companies provide more opportunities to advance laterally or upward. Should you decide to pursue a career in a different direction but dont want to leave the company, either, you likely can do it without much trouble. Large companies provide additional valuable contacts to add to your professional network. The more contacts you have, the more likely youll find someone wholl tip you off when theres a job opening in the department â€" or company â€" next door.   Cons  of Working  for a Large Company Of course, not everything is rainbows and roses with large companies. The moment you become the proverbial cog in a gigantic machine, you realize that: Large companies can stifle you with their bureaucracy. It can be frustrating to, say, request for supplies you need today when the person who approves requisitions is currently on a one-month vacation. Large companies can make it difficult for individual employees to stand out. Sure, you may be an overachiever by any metric, but if the company is brimming with overachievers, getting your voice heard among them can be a challenge. Large companies can downsize as they please. If they decide to lay off an entire department for any reason, only to realize they need it back years later, they can always rely on the strength of their brand to attract hordes of fresh, bright-eyed talent. Large companies can make you feel disengaged from your work. If what you do amounts to only a tiny contribution to the organization, it can leave you demoralized and more likely to seek other places where youll be acknowledged for your work.   Pros of Working  for a Small Company As of 2010, there are roughly 6.79 million small companies in the U.S. That means your chances of getting employed by them are 423 times higher than that of the larger ones. It also means that, should you get employed by a small company, these are the benefits you can enjoy: Small companies are more flexible in general. For example, if youre in a startup online marketing agency, you may be churning out blog posts one day and building entire websites from scratch the next. Small companies foster camaraderie. Since you interact with everyone else on a daily basis, theres a stronger feeling that youre in this together. Small companies encourage transparency. Because everyone sees what everyone else is doing, theres also a stronger feeling of accountability for everything you do. Small companies have looser rules and regulations. Until management smoothens those out, youre free to do as you please â€" as long as you do whats expected of you and then some. Small companies make you feel more invested in your job. You dont just reap the fruits of your labor â€" you see firsthand how they impact the company as a whole. No wonder 36 percent of small business employees report as actively engaged in their work, as opposed to 29 percent from larger businesses.   Cons of Working  for a Small Company As with larger companies, small organizations have their downsides, too: Small companies often offer inferior compensation and benefits packages compared to larger ones. If you prioritize money over experience, thats obviously a no-no. Small companies can force you to take on heavy workloads and longer hours. Because theyre short on helping hands, theyll make the most of their available employees whenever possible. Small companies are more vulnerable to the influence of toxic bosses. Their actions may cause only a tiny ripple of negative effects in larger organizations, but in smaller ones, these bosses can inadvertently whip up entire tsunamis to swallow everyone whole. Small companies can be stifling for those who have problems with co-workers. If everyone literally works in the same room, theres no point transferring departments to get away from unsavory people. Small companies magnify both your successes and failures. If theres something youve done or shouldve done but failed to do, people will notice and talk about it. Keep in mind that these are generalized characteristics of small and large companies. Its possible for a 300-strong company to offer a compensation package thats miles better than that of a 500-million strong organization. Likewise, as in the case of Google, a corporation can offer flexibility that rivals that of smaller businesses. Regardless of which you choose, always do your homework, assess your suitability for a job and the company offering it, and you can make an informed decision from there. Go to top Do you know what your next career step is?  Many people don’t. I want to help you accelerate your career by connecting you with your Free Instant Access to my eBook on how to construct your Career SMART Goals â€" that will help you put together your actions and keep you accountable. Get your copy now and start your action plan today! Brought to you by Dorothy Tannahill-Moran â€" dedicated to unleashing your professional potential. Introvert Whisperer

Revue Musicals

Revue Musicals What Type of Musical is a Revue? ChaptersRevue Musicals’ Fascinating HistoryRevue Musicals in Popular CultureThe New Stage for Revue MusicalsYour Best Chance to See A Musical RevueSince the early days of human civilisation, music has featured in stage shows to underscore the story’s events or bring to light a character’s motivations or thoughts.Often, such a chorus was an integral part of the show, one which, if omitted would leave the audience scratching their heads over some aspect of the story.Those ancient songs set the stage for musical theatre… if you’ll pardon the pun.The earliest examples of stage musicals usually revolved around a story. The songs â€" sung by the actors rather than a separate body on a side stage or in a gallery, were not so much an aside to the audience as an expression of the characters’ emotion or longings.Obviously, such shows had to follow a script; likewise, the music and lyrics were written specifically for the show.More recently in the history of musical theater, such so ngs made their way onto the airwaves and became hits in their own right.  Memory, from the musical Cats (written by Andrew Lloyd Webber, in case you didn’t know) is a prime example of a show tune going mainstream.For the most part, musicals of all types follow that long-established formula: story, scoring, acting… to some measure of fame.The revue musical, however, is a breed apart. For one, there tends to be a deficit of story in favour of a varied performance consisting of singing, dancing and acting out sketches.It is quite possible you’ve been exposed to such a show but maybe just didn’t realise it at the time.That is why your Superprof now puts down the opera glasses to put revue musicals in the spotlight. CarlActing Teacher 5.00 (5) £55/h1st lesson free!Discover all our tutors NatashaActing Teacher 5.00 (8) £45/h1st lesson free!Discover all our tutors ElifActing Teacher 5.00 (10) £40/h1st lesson free!Discover all our tutors CalumActing Teacher 5.00 (15) £50/h1s t lesson free!Discover all our tutors ChristopherActing Teacher 5.00 (9) £35/h1st lesson free!Discover all our tutors LowriActing Teacher 5.00 (8) £85/h1st lesson free!Discover all our tutors DanielActing Teacher 5.00 (6) £25/h1st lesson free!Discover all our tutors CiaranActing Teacher 5.00 (5) £40/h1st lesson free!Discover all our tutorsRevue Musicals’ Fascinating History You shouldn't expect conservatory-trained vocals during a revue, it will be more of a music hall type performance! Image by James Brocka from PixabayRevues are the vaudeville of the well-to-do.Historically, stage entertainment catered to all levels of society: the rich had opera and, for their lighter entertainment needs, the operetta, which tended toward the comical. At the very least, it was certainly more lighthearted than regular opera fare.Meanwhile, the lower echelons of society enjoyed ribald burlesque and campy, risqué vaudeville shows which, themselves, were comparable to operetta for their light tones, with a touch of irreverence thrown in for extra measure.While we in Great Britain pretty much maintained the revue musical’s format and traditions, when such fare arrived on American shores, it, like its Vaudevillian cousin, underwent substantial changes.Whether in Europe, in North America or on our lovely isle, the revue as a form of entertainment became immensely popular .So much so that, while early cinema goers could get tickets to a show for a few pennies, revue tickets commanded several pounds… and people paid!In the purest sense, the shows were disjointed: a short monologue or comedy sketch followed maybe by dancing girls; their number segued into song and the whole cycle repeated.If they did have an overarching theme, it was satire, with public persons or current events often the target of the shows’ derision.Big names from the genre’s Golden Age, from just after the First World War until the Great Depression include:Yvette Guilbert: a French revue performerMaurice Chevalier: a French entertainer who found fame at London’s Palace TheatreFlorenz ‘Flo’ Ziegfield: producer of the Ziegfeld Follies â€" the top Broadway revue productionsEddie Cantor, the Apostle of Pep, a multi-talented comedian, dancer and singerAnna Held found her fame through Ziegfeld’s FolliesW. C. Fields rose to prominence as a juggler in a revueThe Marx Brothers: before they found fame on the silver screen, they were wildly successful VaudevilliansYou might see, by that list of names, that being a revue artist demanded more than just one skill; comedic timing and a visual talent â€" in W. C. Field’s case, juggling were also necessary because, more than anything, a revue was a visual treat.In the US, Hellzapoppin is a particularly good example of such a revue.The show revolved sight gags and slapstick, with less emphasis placed on scantily clad females and saucy dances.Remarkably, this show was constantly revised to remain relevant; for instance, when it played in 1944, it depicted Mussolini in blackface while American president Roosevelt, normally so eloquent, uttered nothing but gibberish.Revues were grand fun but, unfortunately, after the Second World War, with the emergence of cinema, radio and television, the revue was forced to retreat from centre-stage, back to smaller venues such as nightclubs and improvisation theatres.Find out ho w revue musicals compare with the most elemental of Broadway musicals: the concept musical.Revue Musicals in Popular Culture One very popular circus troupe is often mistaken for a revue show because it features adaptations of popular stories and lots of visuals, set to music Image by Michelle Maria from PixabayA musical revue relies on performers’ or groups’ individual talents. That means that they are not choreographed as other musicals might be, nor are the services of a playwright required, even though there are spoken lines.Remember: a revue musical does not tell a story.Obviously, within those parameters, there is not much room for the typical activities and artistic guidance that any other musical demands: writer, choreographer, lyricist, set designer… even more telling is the difference in the terms identifying such a show’s ‘master’.A book musical’s head honcho is called a director; a revue producer is known as an impresario.For the most part, today’s musical revues have done away with the sketches and physical aspects like slapstick, and they no longer necessarily draw on satire to entertain. Instead, they may comprise of a single composer’s work.Side by Side by Sondheim is a prime example of such a musical revue.The title itself is a play on the title of a Sondheim song from the 70s musical comedy, Company, for which Mr Sondheim wrote the music and lyrics.Side by Side by Sondheim is a showcase of the vast body of music by one of the most renown and prolific composers in theatre history. In a departure from traditional musical theater style, a narrator recounts why and how Mr Sondheim wrote a song.The show was nominated for a Tony Award for its Broadway production; in London, it was nominated for a Lawrence Olivier Award.Even though this show is rather dated, there are occasional performances, most recently in 2012, in Sidney.Unlike film musicals that become Broadway shows â€" films like The Lion King or Beauty and the Beast that you can stream or enjoy on DVD, revue musicals do not generally translate well to the small screen.Where or how would you be most likely to catch a revue today?The New Stage for Revue MusicalsToday, revues have found their home on school stages.If you’ve ever seen the film Mr Holland’s Opus, you might remember that, due to budget cuts, the schools’ faculty music department opted to do a Gershwin revue.You might know that George and Ira Gershwin wrote such gems as An American in Paris, Rhapsody in Blue and I Got Rhythm.If you are a Glee fan, you’ve probably heard their mashups â€" of songs, themes or genres, which were often implied to become the school’s end of year show.Are you noticing a theme, here?Common in Canada, Norway and Denmark as well as UK schools, they feature popular songs with lyrics revised to express (satirical views of) current events or of matters relating to student life.These shows are in no way theatrical; they are meant for student entertainment, after all! And, you would be more likely to groan ‘Mamma Mia!’ because of the sheer silliness than compare such fare to that sma sh Broadway musical.Still, they are great fun, even though songs featured in such revues seldom are heard beyond the stage they are performed on.Unlike jukebox musicals, where the music is well-known… Don't look to a theatre company to put on a revue; try your local medical school instead! Image by Michael Drummond from PixabayYour Best Chance to See A Musical RevueIt is quite unfortunate that the revue musical in its original form is all but gone but, if you’re bemoaning the fact that you never had the chance to catch Kander and Ebb’s But The World Goes Round…Rest assured that there is no need to moan just yet.There is a longstanding tradition for students of the medical, legal and veterinary professions to stage a revue.Even better, especially if you are a musical theatre aficionado: it is a revue in the purest sense, complete with sketches, parodies and, of course, the usual song and dance.Funny, that. You would think it would be a school of music that would put on such musical comedies, wouldn’t you?So popular are these shows that London’s five United Hospitals medical schools compete against each other every year, in an event called the UH Revue â€" sort of a monste r, comedic face-off, with the most outrageous group taking the top prize.If you’re hoping to buy tickets but are wondering which school’s show to find tickets for, consider this: both The MD’s Comedy Revue and the St George’s troupe have taken top prize six times apiece.What if you’re nowhere near London but you still want to witness such a music circus? You’re in luck!Do you have a school of veterinary medicine or a law school anywhere around? If so, there is a good bet that they are rehearsing their revue right now!Don’t forget to check your local university medical programme; they’re probably harbouring a creative team or two who are getting ready to put on their show soon…If all else fails, you can head to The Fringe for the music theatre you crave.Granted, The Fringe is more of a spectacle than a theatre festival; maybe that is why the Birmingham Medics Revues, the Cambridge Medics Revue and the MD’s Comedy Revue fell so at home performing there.Mind you, we don’t just mean the Edinburgh Fringe; the Brighton Fringe, the Windsor Fringe and the Buxton Fringe all regale audiences yearly with a new musical revue.Wouldn’t you like to catch one… or would you prefer tickets to a rock musical?